Category Archives: Campbell’s Amazon Journal

Amazon Travel Blog of Campbell Plowden, Executive Director of the Center for Amazon Community Ecology

Support CACE Project in Global Giving Open Challenge: November 26 – December 31

Greetings friends. Our Center for Amazon Community Ecology project to create sustainable livelihoods for native communities & promote forest conservation in Peru is now “live” with the Global Giving at http://goto.gg/12229. We need to raise at least $5,000 from at least 40 people between November 26 and December 31 to become a permanent member of the Global Giving network. Please support us with a donation if you can and SHARE the project page on Facebook. The group that gets the most Shares on Facebook during this Open Challenge from November 26 through Dec. 31 gets a $300 bonus. Every donation counts!!!

CACE Peru Project Global Giving Signature Photo ©Photos by Campbell Plowden/Center for Amazon Community Ecology

CACE Peru Project Global Giving Signature Photo ©Photos by Campbell Plowden/Center for Amazon Community Ecology

Donations can also be made the project by check. Make it out to: The Global Giving Foundation. Write Project 12229 and your email address in the Memo line on the bottom left of the check. This is very important to make sure your donation reaches us. Send to: The Global Giving Foundation, 1023 15th Street NW, 12th Floor, Washington, DC 20005. Checks should arrive by Dec. 28. Thank you very much for your support. If you have questions, please contact us through the CACE website.

Two Thanksgivings and a Birthday Party with the Tembé Indians in Brazil *

Plowden family house in Tekohaw 1997-1999. ©Photo by Campbell Plowden/Center for Amazon Community Ecology

Plowden family house in Tekohaw 1997-1999. ©Photo by Campbell Plowden/Center for Amazon Community Ecology

Beginning in the fall of 1997, my wife, 7 year old daughter, 2 year old son, and I lived for a year with the Tembé Indians in the eastern Brazilian Amazon while I did field work for my PhD in Ecology. Our home in the village of Tekohaw was a three room mud wall house with a palm thatch roof. We slept side-by-side in hammocks, used an outhouse in the back yard, cooked over a two-burner gas stove, bathed in the Gurupi River, and traded surplus packaged food from the city for fresh fish, fruit and game meat brought to us by our neighbors.

Marissa Plowden with Emidio Tembé kids cooking fish. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Marissa Plowden with Emidio Tembé kids cooking fish. © Photo by Campbell Plowden/Center for Amazon Community Ecology

The simple living was a good challenge for our family used to basic American comforts, but after three months of washing clothes by hand, hearing everyone speak a strange language, and pleading for field assistants to start the research, Yuri, Marissa and I were all ready for a Thanksgiving break in the city. Young Luke was happy as long as Mom was nearby.

Emidio Tembé with white crested guan.  © Photo by Campbell Plowden/Center for Amazon Community Ecology

Emidio Tembé with white crested guan. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Since we were going to have a big dinner with some fellow researchers, I thought it would be appropriate to bring along a bird from our Tembé hosts. Our friend Emidio kindly complied with my request and killed a “jacu” (white crested guan) for us to bring to the city. My Brazilian colleagues appreciated my story about the origin of Thanksgiving and our bird from the Tembé hunter, but I have to admit that the freshly cooked turkey and apple pie tasted a lot better than the funky “jacu” hadn’t made the long journey from the forest in prime condition in spite of being smoked.

A year later, my family was back in Pennsylvania while I prepared to spend Thanksgiving in Tekohaw. My research was really in full swing by then so I decided to use the occasion to thank my Tembé research colleagues and a few close neighbors with the best dinner I could put together with my limited supply of prime fare. My first sign of warning should have been the tingling of my instinct when I invited the guests out of earshot of others. Having discreetly made the invitations, I returned to the house and started cooking and preparing the house.

Maku Ka'apor and child in Tekohaw. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Maku Ka’apor and child in Tekohaw. © Photo by Campbell Plowden/Center for Amazon Community Ecology

While setting the biggest table with a tablecloth (a dirty sheet) and candles, I heard someone come in the house. Maku, a deaf mute Ka’apor indian who seemed to have ESP regarding unusual events in my house, walked in, took one look at the spread and walked out without making any attempt to communicate with me.

Campbell Plowden with Tembé men in the forest. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Campbell Plowden with Tembé men in the forest. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Eventually the invited guests and a few other uninvited ones came in and took a seat at the table or bench on the periphery. I gave my spiel about how special it was to be celebrating Thanksgiving with them since most Americans have long ago forgotten about the Native American connection to the holiday and served the meal. While the guests clearly enjoyed the food, they spoke little, thanked me and left shortly after all plates were empty. I didn’t know what he was really thinking, but I wondered if Lourival, the village headman, felt particularly awkward being at a gathering to which all had not been invited. To say the least, the evening did not resemble my fantasy of recreating the jovial atmosphere of Thanksgiving dinners at home.

Lourdinha  Tembé and Luke Plowden with bow drill. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Lourdinha Tembé and Luke Plowden with bow drill. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Several weeks later I was due to celebrate my 45th birthday. Intent on not repeating the Thanksgiving experience, I enlisted the help of my friend Lourdinha to do a Tembé style celebration. I didn’t have much food left on my shelf, but I gave her almost all that I had left to prepare for the feast. I went around to all 25 houses in the village and invited one and all to the village meeting house.

Veronica Tembé painting Campbell Plowden at traditional festival. © Photo by Bruce Hoeft/Center for Amazon Community Ecology

Veronica Tembé painting Campbell Plowden at traditional festival. © Photo by Bruce Hoeft/Center for Amazon Community Ecology

At the appointed hour, the open-air structure was full of folks from the village and many visitors who had arrived to help celebrate a one-day festival in honor of Saint Luzia. The headwoman Veronica ladled out the offerings of watery oatmeal, coffee and hot chocolate one third of a cup at a time to a throng of kids jostling in front of the serving table illuminated only by two small kerosene lanterns. Within half an hour, the oatmeal, beverages and three cans of goiabada (guava jelly) were gone. While I wished I’d had twice as much food to serve, I believe everyone had a good time.

Moreira Tembé chanting at traditional festival. © Photo by Campbell Center for Amazon Community Ecology

Moreira Tembé chanting at traditional festival. © Photo by Campbell Center for Amazon Community Ecology

My wonderful present was sharing a little of my bounty with a hundred fine folks and joining in on the chorus of a traditional Tembe chant being vigorously belted out by two men. The next day I did share a small cake in the forest with my research crew who sang me a Brazilian rendition of Happy Birthday.

CACE welcomes Robin van Loon and Camino Verde as partners

Robin van Loon with shaman Don Ignacio Duri at Infierno © Photo by Campbell Plowden/Center for Amazon Community Ecology

Robin van Loon with shaman Don Ignacio Duri at Infierno © Photo by Campbell Plowden/Center for Amazon Community Ecology

The Center for Amazon Community Ecology is pleased to welcome Robin van Loon as the newest member of the CACE Advisory Board. Robin is the founder and executive director of Camino Verde, a non-profit organization dedicated to planting trees in the Peruvian Amazon. He is a native of Massachusetts who has lived in Peru since 2001 studying traditional use of medicinal and economic plants in the Andean highlands and lowland tropical forest in Madre de Dios.

Robin van Loon and pijuayo palm fruit at Baltimori. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Robin van Loon and pijuayo palm fruit at Baltimori. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Three years after moving to the Tambopata River area, he founded Camino Verde in 2007 to launch the first viable reforestation projects in the region. The organization created and manages a “Living Seed Bank” that features ten thousand trees representing 250 species valuable for fruits, medicines, craft-making materials and timber. Camino Verde also makes tree seedlings available to local farmers as an alternative to slash-and-burn farming.

Officers of the Marjorie Grant Whiting Center for Humanity Arts and the Environment (MGWC) introduced Robin and CACE Executive Director Campbell Plowden to each other in 2010 to see if they could combine their distinct experience and methods to enhance forest conservation and support sustainable livelihoods in the northern and southern ends of the Peruvian Amazon.

Campbell Plowden, Robin van Loon and Uusula Leyva at Baltimori. © Photo by David Imburgia/Center for Amazon Community Ecology

Plowden, van Loon and Camino Verde forester at Baltimori. © Photo by David Imburgia/Center for Amazon Community Ecology

MGWC funded two Plowden trips to Madre de Dios to visit Camino Verde’s reforestation site at Baltimori and financed van Loon’s first visit to several CACE partner communities in Loreto. This pilot project is now developing three cooperative themes:

1) CACE is helping Camino Verde to develop a scientifically based study of the sustainable harvest of medicinal latex from several hundred sangre de grado (“dragon’s blood”) trees planted at Baltimori in the Tambopata River region.

Sangre de grado latex harvest experiment at Baltimori. © Photo by Campbell Plowden/Center for Amazon Community Ecology

Sangre de grado latex harvest experiment at Baltimori. © Photo by Campbell Plowden/Center for Amazon Community Ecology

2) Camino Verde is the technical advisor and co-financer of a project to plant 1000 rosewood tree seedlings in secondary forest fields in the Bora native community of Brillo Nuevo on the Ampiyacu River. When the trees mature, CACE will work with the community to distill the leaves into a marketable fragrant essential oil.

Distilling camphor moena leaves at Baltimori; Bora woodsmen collecting canoela moena leaves at Brillo Nuevo. © Photos by Campbell Plowden/Center for Amazon Community Ecology

Distilling camphor moena leaves at Baltimori; Bora woodsmen collecting canoela moena leaves at Brillo Nuevo. © Photos by Campbell Plowden/Center for Amazon Community Ecology

3) CACE and Camino Verde are conducting trial distillations of leaves and branches from several sister species of “moena” trees to develop novel essential oils from Amazon rosewood relatives (family Lauraceae). Promising products will be developed for sale to fragrance companies to generate income for forest communities.

Both groups seek ongoing support for these initiatives. Donations may be sent to support them through the online non-profit funding platform Global Giving. The CACE campaign – Project # 12229 will “go live” on November 26.

Other links and related stories:
The Legacy of a Rosewood Tree
A Dying Copal Tree and Rosewood Seedlings at Jenaro Herrera
Steaming Leaves and Heated Emotions
Visions of Rosewood Oil and Ayuhuasca

Camino Verde on Facebook
CACE on Facebook

Photos of Partner Artisans in the Ampiyacu River

Yagua family in Santa Lucia de Pro.  Photo by Anna Loshkin/Center for Amazon Community Ecology

Yagua family in Santa Lucia de Pro. Photo by Anna Loshkin/Center for Amazon Community Ecology


Yagua artisan at Santa Lucia de Pro. Photo by Campbell Plowden/Center for Amazon Community Ecology

Yagua artisan at Santa Lucia de Pro. Photo by Campbell Plowden/Center for Amazon Community Ecology


Traditional masks made from calabash fruit pods.  Photo by Campbell Plowden/Center for Amazon Community Ecology

Traditional masks made from calabash fruit pods. Photo by Campbell Plowden/Center for Amazon Community Ecology


 Yagua artisan Mariela from San José de Piri with woven doll hammock. Photo by Campbell Plowden/Center for Amazon Community Ecology

Yagua artisan Mariela from San José de Piri with woven doll hammock. Photo by Campbell Plowden/Center for Amazon Community Ecology


Bora native artisan Camila and grand-daughter in Puca Urquillo. Photo by Campbell Plowden/Center for Amazon Community Ecology

Bora native artisan Camila and grand-daughter in Puca Urquillo. Photo by Campbell Plowden/Center for Amazon Community Ecology


Bora native artisan Pedro with calabash Amazon wildlife ornamentsin Puca Urquillo. Photo by Campbell Plowden/Center for Amazon Community Ecology

Bora native artisan Pedro with calabash Amazon wildlife ornamentsin Puca Urquillo. Photo by Campbell Plowden/Center for Amazon Community Ecology


Ocaina native artisan Pamela hanging yellow dyed chambira palm fiber in Nueva Esperanza, Peru. Photo by Campbell Plowden/Center for Amazon Community Ecology

Ocaina native artisan Pamela hanging yellow dyed chambira palm fiber in Nueva Esperanza, Peru. Photo by Campbell Plowden/Center for Amazon Community Ecology


Ocaina native artisan Rosa weaving chambira palm fiber bag in Nueva Esperanza, Peru. Photo by Campbell Plowden/Center for Amazon Community Ecology

Ocaina native artisan Rosa weaving chambira palm fiber bag in Nueva Esperanza, Peru. Photo by Campbell Plowden/Center for Amazon Community Ecology


Huitoto native artisan Cherly Flores Ribeira with armadillo ornament in Puca Urquillo, Peru.  Photo by Campbell Plowden/Center for Amazon Community Ecology

Huitoto native artisan Cherly Flores Ribeira with armadillo ornament in Puca Urquillo, Peru. Photo by Campbell Plowden/Center for Amazon Community Ecology

Orchid bee collecting resin from copal tree in Peru

The Center for Amazon Community Ecology began studying the ecology of copal trees, its resin, and insects associated with it at the Jenaro Herrera research station in Peru in 2006. While our initial focus was on the weevils that prompted the formation of resin lumps on the trees, we began seeing that many stingless bees and sometimes wasps regularly visited fresh lumps to take away little bit of resin – presumably to help build their nests. I took the shot below of a green and gold Euglossa orchid bee hovering next to clump of resin. She would alternately land on the resin, dig a little bit out with her mandibles, shape it into a little ball with her front legs and then pass it back to her hind legs where it would stick to her corbicula – the little flat structures with hairs where they usually store pollen they collect from flowers. She would then back away and buzz in place – apparently to test the balance and weight of the resin on both legs. She would then go back to the lump and get some more. In five to ten minutes she seemed to have a full load and would fly away. Bees like to use resin for nest building because it is malleable when moist and hard and waterproof when dry. It may also provide some protection for the bees against harmful fungus and bacteria. See more photos and information about this research.

Green & gold Euglossa orchid bee collecting resin from copal tree in Peru. Photo by C. Plowden/CACE

Green & gold Euglossa orchid bee collecting resin from copal tree in Peru. Photo by C. Plowden/CACE

Center for Amazon Community Ecology Field Sites in Peru

VIEW FULL-SIZE MAP

Site Icons (Click in map to see description)

Green: Brillo Nuevo – Bora native village – field site for CACE research on essential oils and handicraft project

Purple: Jenaro Herrera – town and government research station – principal site for CACE copal research and craft purchases

Yellow: Chino – campesino village – major CACE handicraft partner

Red: Iquitos – capital city of Loreto – CACE base of operations in the region

Turquoise: Nueva Vida – Maijuna native village – potential CACE partner for handicraft and forest product projects

Visions of Rosewood Oil and Ayahuasca

July 20, 2012

After my presentation to the Grand Valley University students at the Rainforest Conservation Fund lodge near Chino, one of their Peruvian field assistants gave me a golden tip – the name and phone number of a fellow from Tamshiyacu whose group had produced some oil from “palo de rosa” rosewood. We couldn’t get anyone at this number for a couple of days so Yully and I decided to take a rapido there and see if we could find Weninger Vasquez or someone else who could tell us about this operation.

Elbita Tangoa Pinedo with maraca. Photo by C. Plowden/CACE

Elbita Tangoa Pinedo with maraca. Photo by C. Plowden/CACE

Yully knew about another Vasquez in this town so we went there first. By luck Weninger’s house was next door. His wife told us he wasn’t involved with the rosewood project anymore, but she told us that another man who lived down by the cemetery might be able to help us. Juan wasn’t home, but while we waited for his daughter to fetch him, his wife pulled out several bags of handicrafts and passed them to us one by one to inspect (and hopefully buy). I passed on the carvings but got one nice maraca and a few pashaca seed necklaces.

Juan was very happy to receive us and share the story of his group’s venture with rosewood that began about ten years ago. Tamshiyacu was known as a place where this aromatic tree had once thrived and been a center for rosewood exploitation and oil production. With encouragement and some technical assistance from the Institute for Investigations of the Peruvian Amazon (IIAP), a group of ten residents collected and germinated seeds from some of the remnant trees and planted about 7,000 seedlings in their forest properties. In meantime they collected enough material from some older trees to produce one liter of oil. They turned this over to IIAP and the university to analyze, but they never got any results.

Ayahuasca ceremony accessories. Photo by C. Plowden/CACE

Ayahuasca ceremony accessories. Photo by C. Plowden/CACE

At this point Juan invited us to visit his property about 15 minutes away by motorcar where he had planted most of his rosewood seedlings. It was immediately apparent that Juan was a man of many talents. He raised some pineapple and his basic crops there and had a little building where he carved hunks of tawari and palo sangre wood into jaguars, snakes, eagles, and abstract human figures inspired by shamanic visions. There was a simple bunkhouse, eating area, and conical building where he led lodged, fed and guided guests in an ayahuasca ceremony. The sacred vines growing nearby showed that he prepared his potion from fresh material.

Double-snake design on Shipiba fabric. Photo by C. Plowden/CACE

Double-snake design on Shipiba fabric. Photo by C. Plowden/CACE

Ayahuasca vine at Juan's lodge. Photo by C. Plowden/CACE

Ayahuasca vine at Juan’s lodge. Photo by C. Plowden/CACE

Juan Silvano with young rosewood tree. Photo by C. Plowden/CACE

Juan Silvano with young rosewood tree. Photo by C. Plowden/CACE

We paused to chat around a few of the rosewood saplings he had planted in 2003. The ones planted in open sun had grown very well. He had followed IIAP’s recommendation for a time to prune them so they wouldn’t grow taller than four meters – a nice height to keep the top leaves and branches within easy reach for harvesting. Juan had learned the importance of pruning the branches in the right way since poor technique caused unnecessary damage to the tree.

IIAP showed renewed interest in the project in 2008 when it surveyed the abundance of seed trees and condition of the five-year old seedlings in the fields of the group members that hadn’t abandoned the project. The group renewed the registration of its group (the Tamshiyacu Campesino Association of Amazon Aromas) with the regional government, but they let this expire again when the government again failed to offer any concrete way for them to make or sell any rosewood oil.

Putting palo de rosa leaves in bag at Brillo Nuevo. Photo by C. Plowden/CACE

Putting palo de rosa leaves in bag at Brillo Nuevo. Photo by C. Plowden/CACE

The most recent glimpse of hope to use this resource came two years ago when a French woman came to the area with a plan to create multiple types of fragrant essential oils. While the group had only been able to process up to five kilograms of plant material in the distillation apparatus belonging to IIAP, this woman supposedly had a unit with at least ten times this capacity. For a year she had periodically bought batches of 300 kg. of leaves and branches from the five remaining active members of the group, but their plan for longer-term cooperation stalled when they failed to reach an agreement about how to pay for the association’s renewed registration. Juan heard that one of their members had sold several hectares of his land fully stocked with the young rosewood trees to her and left the area so she may be producing oil on her own now. Yully will try to track her and the last IIAP advisor to this project down so we can get the full story from their side.

Rosewood tree pruning scar and new branch. Photo by C. Plowden/CACE

Rosewood tree pruning scar and new branch. Photo by C. Plowden/CACE

After this recent opportunity fell away, even Juan stopped maintaining his young rosewood trees. It was easy to see where top branches that now topped 6-7 meters emerged from the last pruning scar. There is still time to bring them back into a tighter management system for leaf production, but if he can’t convert the leaves to oil, he is content to let them grow into large trees for the future. He has clear fondness for this tree, though, since he recently planted a few new rosewood seedlings near his lodge.

Even if a large-scale project doesn’t materialize, Juan would like to make some oils on his own using the clean water from the stream that passes through his land. He once made some oils from several medicinal plants with a borrowed distillation unit and put them in old (and well cleaned) medicine vials he got from a friend at the hospital.

Campbell and Juan Silvano at Tamshiyacu lodge. Photo by Yully Rojas/CACE

Campbell and Juan Silvano at Tamshiyacu lodge. Photo by Yully Rojas/CACE


Yully and I came away knowing that Juan would be a valuable advisor for the development of our rosewood oil project at Brillo Nuevo since he knew so much about what it takes to grow the trees, harvest the raw material and turn them into fragrant rosewood oil. We now needed to learn a lot more about different strategies for marketing the product. Ideally we could figure out a way to get started with Juan’s group and then expand to include the Brillo Nuevo group when they are ready.

Pinneapples ready for shipment at Tamshiyacu. Photo by C. Plowden/CACE

Pinneapples ready for shipment at Tamshiyacu. Photo by C. Plowden/CACE

Rainbows of Chambira, Boots, People and Parrots

July 11, 2012

I had a bit of a false start getting to Chino. I had always gone there before in the speed boat belonging to the Rainforest Conservation Fund (RCF), but since it was occupied, I need to take a public lancha. Unlike the big ferries that carry up to 300 people and heavy cargo that are run by companies with a public office and phone number, some communities off the main rivers are lucky to be served by small “colectivos.” Yully accompanied me in a motor car that wove through the narrow streets of the Belen public market until we got to a small landing near the port. A water-taxi peque-peque took us to the boats bound for the Tahuayo River, but when we called out asking where the boat was going to Chino, the response was “there are none today, come back tomorrow.” Yully told me she’d heard that one of these boats had sunk here a few weeks ago. It was just coming into dock when a crowd of wholesale buyers swarmed on board to get first crack at the fish, charcoal and other forest produce the passengers were bringing from their settlements upriver. The surge of the extra human weight apparently tipped or outright swamped the small overladen vessel.

Later than evening I finally spoke to one of my artisan friends in Chino on the only public phone in the community. Norma said there was no lancha leaving the next day for Chino either, but I could take the colectivo bound for Esperanza – a community downriver from hers where her husband could pick me up in his peque-peque if I could pay for his gas.

Trusting to the fates, I returned to Belen the next morning and boarded the Guevara. I stripped off the mosquitero (mosquito netting), and strung my hammock across the beams in the middle of the lower deck. Swaying in comfort seemed preferable to sitting on one of the narrow wooden benches along the sides for the next seven hours. I put my duffle bag under me to give my bottom some clearance. Later arrivals had fewer choices as adjoining spaces were stacked with palettes of Inca Cola and other merchandise to stock little bodegas upriver.

Top deck of the lancha Guevara bound for the Tahuayo River.  Photo by C. Plowden/CACE

Top deck of the lancha Guevara bound for the Tahuayo River. Photo by C. Plowden/CACE

The trip proceeded slowly but tranquilly. I marked the location of a few larger settlements along the way for future reference with my GPS with names provided by a kind older man also going to Esperanza. I half-jogged up the hill during a half-hour break at Tamshiyacu to have some lunch at a three seater open-air restaurant. As usual, I asked the lady serving me to take off two-thirds of the mound of rice she’d piled on my plate and go easy on the noodles.

As the number of passengers thinned out by mid-afternoon, I learned that the fellow in the hammock next to me was the husband of the woman who was the President of Mi Esperanza – the little company that organizes the production and sale of woven chambira baskets to the U.S. with the help of the regional government agency PROCREL. Sales had been really slow for a year, but as the economy began to recover, the buyer had placed another large order. Artisans in four villages from the Tahuayo and three more from other areas had just made about 700 baskets that were now being packaged and readied for export. A cargo ship would take them from Iquitos through the Panama Canal to Houston, Texas where they would be transferred to a truck for delivery to San Diego. The gift shop in the Museum of Natural History there was apparently the biggest U.S. outlet for these beautiful crafts.

We arrived in Esperanza around 5:30 pm, and I was happy to see Norma’s husband Ezekiel waiting for me. I got in his 15 foot-long peque along with a family of four bound for a lodge just beyond Chino. It was a blessedly clear evening as we headed up the Tahuayo River. Our only stop on the way was the village of Buena Vista where I needed to get out and register with the local police – a requirement for all foreigners entering the Tamshiyacu-Tahuayo Regional Conservation Area. This formality is usually handled by a tour operator taking visitors to their “albergue” (ecotourism lodge). In the past trips, Gerardo from RCF had always been on hand to vouch for me. This time when I when I walked into the little police station and handed my passport to the officer on duty, he asked me instead for a copy of it. He showed me a book full of the photo pages of other foreigners and said I couldn’t go into the reserve without leaving them one of these to keep on file. I had a moment of panic since there was no photocopy machine within five hours of the place. I told him I had been visiting Chino for four years and had honestly never heard of this practice. He then asked me who my guide was, and I replied that I was on my own. My sincere explanation of why I was going to Chino and mentioning a dozen people waiting for me there, though, seemed to convince the officer I did not pose a threat to the communities in the reserve. He let me pass with the reminder to bring a copy of my passport next time.

I was expecting to go directly to the RCF for a quiet dinner but when we arrived in Chino just before 8 pm, a party was underway in the public meeting space – a round open air structure with a conical thatched roof and cement floor. The community was feting the presence of Jim Penn, President of RCF, his group of a dozen students from Grand Valley University (GVU) in Michigan where he teaches geography, and a few other guests from the Amazon Adventure Lodge located a short distance upriver. A three piece band including two drums and a flute were playing lively Peruvian folk tunes while Chino women coaxed visitors to dance. I greeted Jim and was immediately offered a glass of “masato,” a slightly alcoholic beverage made from homemade fermented yucca root by Jorge – one of the village officers and accomplished carver.

Jim and I made a plan for my quick visit and then migrated to a local pub with the students to enjoy a few beers. It was a welcome night out for them since they had spent the last two weeks doing an inventory of chambira palm trees in the community’s forest. This hardy group had suffered one casualty when one girl stumbled onto a fallen chambira trunk. Over the next two days, her comrades removed more than thirty sharp spines from her foot and legs. Buoyed with antibiotics and a tough spirit, she returned to the field three days later.

Collecting bark from ovos tree and applying mud to wound. Photos by C. Plowden/CACE

Collecting bark from ovos tree and applying mud to wound. Photos by C. Plowden/CACE

I spent the next morning of four of the GVU students at Romelia’s house in Chino watching her and her neighbor Rosa dye chambira fiber with three different plants. Romelia’s husband Jorge first climbed up a huito tree in their backyard and tossed down a batch of its fruits. Romelia used her machete to scrape some bark from a cedro tree, but they were too dry to use. She and Rosa had better luck collecting pinkish shavings from an “ovos” tree. Afterward, she rubbed some mud on the wound to prevent termites from invading it. Oval scars on the trunk showed that she had been able to carefully harvest patches of bark for many years. Romelia said the ovos bark could be boiled to dye fiber or squeezed to release a liquid used to treat cuts and ulcers.

Chino artisans preparing guisador root dye. Photos by C. Plowden/CACE

Chino artisans preparing guisador root dye. Photos by C. Plowden/CACE


She then pulled up the last few roots of a surviving guisador plant. The prolonged flooding had killed the rest of these along with her cocona, pijuayo, and achiote plants. The guisador and cocona would recover in four to six months, but it would take three years or more before new achiote and pijuayo trees would grow back near her home. In the meantime, she would need to go to the higher forest to collect the leaves and fruits she needed to make green, red and orange dyes.

Grand Valley University student Katrina and Chino artisan grating huito fruit dye. Photo by C. Plowden/CACE

Grand Valley University student Katrina and Chino artisan grating huito fruit dye. Photo by C. Plowden/CACE

Rosa and Romelia then sliced, grated, and pounded the fruit, roots, and bark they had collected with some help from the GVU students. They put each batch in an aluminum pot and boiled them with a handful of chambira for five to fifteen minutes. The guisador turned its fiber a deep golden yellow, the ovos produced a dark red, and the huito turned its chambira black. Romelia added some fresh guisador to the water from the huito batch and boiled it with some fresh chambira to dye it a dark green.

Chambira dying at Chino with Grand Valley Univ. student observers. Photos by C. Plowden/CACE

Chambira dying at Chino with Grand Valley Univ. student observers. Photos by C. Plowden/CACE

When each batch reached the proper shade, the women took it off the heat, washed it, and then laid the strands over a wooden post to dry in the shade. Laying them in the open sun could dull the color of the newly dyed fiber.

Washing and drying guisador dyed chambira at Chino. Photos by C. Plowden/CACE

Washing and drying guisador dyed chambira at Chino. Photos by C. Plowden/CACE

Rainbow of dyed chambira fibers. Photo by C. Plowden/CACE

Rainbow of dyed chambira fibers. Photo by C. Plowden/CACE

When these fibers were ready, Romelia and Rosa each brought out samples of the other colors they had made with other plant dyes including achiote (orange), cumaca (brown), huacamayo caspi (pink), mishkipanga (purple), and huitillo (dark grey). It was a morning of earthly rainbows with diverse colors of chambira, skin tones, and feathers of Romelia’s parrots.

Green parrot at Chino with string. Photo by C. Plowden/CACE

Green parrot at Chino with string. Photo by C. Plowden/CACE

Multi-colored parrot at Chino. Photo by .C. Plowden/CACE

Multi-colored parrot at Chino. Photo by .C. Plowden/CACE

Grand Valley University students with Chino artisans Romelia and Rosa. Photo by C. Plowden/CACE

Grand Valley University students with Chino artisans Romelia and Rosa. Photo by C. Plowden/CACE


Ezekiel and Lilly measuring flood height in purma. Photo by C. Plowden/CACE

Ezekiel and Lilly measuring flood height in purma. Photo by C. Plowden/CACE

After a quick stop at the RCF lodge to gear up, the whole student group and local materos went back to Chino to survey chambira palms for a few hours. I joined a small team with Lilly from GVU and Ezekiel (Norma’s husband who had driven me to Chino the day before) to record the number of leaves, position and condition of these spiny palms in a large area of purma (secondary forest) where many of the village artisans harvest the cogollos (leaf spears) to make their baskets and other crafts. Periodically my lead pair would also measure the height of a water mark on a tree in our survey area. The flooding didn’t seem to have killed adult chambira trees. Intensive harvesting in this area, though, hadn’t allowed much natural regeneration, and a number of the few young palms we found were dead or dying – apparent victims of the high water.

Amazon Forest Store hat next to jungle leaf. Photo by C. Plowden/CACE

Amazon Forest Store hat next to jungle leaf. Photo by C. Plowden/CACE

I appreciated the chance to join this crew since it gave me ideas about ways to improve our own chambira surveys with the Ampiyacu native communities. I also got a kick out of seeing a climbing vine whose large leaves were similar to the Philodendron leaf on the Amazon Forest Store logo of the Center for Amazon Community Ecology.

Rainforest Conservation Fund poster and rubber boots at RCF lodge. Photos by C. Plowden/CACE

Rainforest Conservation Fund poster and rubber boots at RCF lodge. Photos by C. Plowden/CACE


Chino artisan showing basket to Grand Valley University student. Photo by C. Plowden/CACE

Chino artisan showing basket to Grand Valley University student. Photo by C. Plowden/CACE

My task for late afternoon was shopping for baskets and other crafts in Chino. Most of the members of the Huacamayo association prepared a “feria” and laid out their wares from their designated spots behind two long tables. I made one quick round to greet every artisan and missed seeing a few of the regulars who were occupied in their field or away from the village in Iquitos. I laid a little white tag in each item that I definitely wanted on the second round, and added a few more to my purchase list on a third time around. The whole student group then arrived to buy a few things for themselves (usually an inexpensive bracelet) or gift (usually a nice basket) to bring home to their parents.

Chino artisan Madita displaying a chambira basket. Photo by C. Plowden/CACE

Chino artisan Madita displaying a chambira basket. Photo by C. Plowden/CACE

When the students were done perusing, I took a picture of every artisan (or sometimes their daughter) with the crafts I had bought from them. These shots give me a nice record of the evolution of the basket designs and the chance to offer people who buy the baskets a photo of the woman who made it in this little Amazon village.

Chino artisan showing huayruru and etched wingo necklace. Photo by C. Plowden/CACE

Chino artisan showing huayruru and etched wingo necklace. Photo by C. Plowden/CACE

As the sun started going down, we went back into the “feria” building and gathered a table for a crash course in speaking English to tourists at a “feria” – an event that happens every week or two when Amazon Adventures brings a group staying at their albergue to visit Chino. I covered the basic greetings, phrases like “How much is that basket?, This basket costs……” and the numbers for the most common prices for their crafts. As expected, a few of the women were painfully shy and too embarrassed to voice our strange-sounding tongue in more than a whisper. Most gave it a valiant effort, and a few showed real potential for connecting with visitors who often spoke little or no Spanish. They all said they would like to practice these things more.

Grand Valley University students teaching English class at Chino. Photos by .C. Plowden/CACE

Grand Valley University students teaching English class at Chino. Photos by .C. Plowden/CACE

When my class ended, the GVU students were wrapping up a volleyball game outside. We then all went to the school where a few of them led a longer class in basic English with about fifteen kids and a few curious adults. They wrote lists of greetings, terms for family members and numbers on the blackboard. Their students dutifully copied them all into their notebooks and repeated them back to the guest teachers. The GVU students then spread around the room to encourage more direct speaking and listening practice with groups of two or three kids. This energetic group finally called it a night after two hours although they clearly wanted more sessions like this. They had all studied English from a little book, but so welcomed the chance to practice it with friendly native speakers.

Back at the RCF lodge, it was sort of a night at the movies. Someone had been a tasty batch of popcorn, but my talk about CACE’s work with copal resin and handicrafts was the main attraction. We didn’t have an LCD project on hand, but we managed to get all the students a little closer to a screen by showing it on two laptops spaced apart on the dining table.

I got a couple of hours of sleep on a pad in a one-person tent Jim set up for me in the living room and woke up at 3:30 am a few minutes before my watch alarm went off. I finished packing and brushed my teeth while the night time frogs were still peeping. Gerardo emerged half an hour later and took me to the Sanchez lancha docked next to Chino. I said a quick hi to Norma who was going to Iquitos with her daughter, strung my hammock from rafter to rafter and went back to sleep. I needed some rest after a busy day and a half in Chino.

A Dying Copal Tree and Rosewood Seedlings at Jenaro Herrera

July 6, 2012

After a few days to catch my breath in Iquitos, I left with Angel on the Thursday afternoon lancha Las Ninfas for Jenaro Herrera. We had a good long talk about our research and families in Spanish and then spent an hour practicing English. Angel had been studying English in an evening class for almost two years now and making good progress. I was able to help the most by explaining the meaning of some obtuse expressions and creating a two paragraph summary about our copal research he could use to explain our work to others.

We got a small pack of buffalo cheese from one of the Garcia boys and bread from the market and loaded our bags in a motorcar to go to the research center field station. This field station operated by the Institute for Investigations of the Peruvian Amazon (IIAP) was less than two miles away, but after months of hard rain, the driver had to weave and gun his motor around deep ruts and puddles. When the rear wheels got stuck in thick mud, Angel and I jumped out and pushed the cab until it lurched free.

Orchid bee nest & copal resin weevil trap at Jenaro Herrera montage. Photos by C. Plowden/CACE

Orchid bee nest & copal resin weevil trap at Jenaro Herrera montage. Photos by C. Plowden/CACE

Our regular field-assistant Italo joined us at the station an hour later to head into the forest. Our first stop was the copal plantation where we’d been studying the ecology of resin and insects for six years. I liked our latest model of trap designed to capture adult weevils emerging from resin lumps. Italo was excited to show me an orchid bee nest he had found buried under thin leaf litter only five feet away from a tree where he’d seen the iridescent green bee collecting fresh resin. We picked it up because it had several exit holes and seemed abandoned. Angel later found the fragile remnants of three adults that had not made it out.

Copal resin lump with tag at Jenaro Herrera. Photo by C. Plowden/CACE

Copal resin lump with tag at Jenaro Herrera. Photo by C. Plowden/CACE

The goal of this outing was to collect enough resin lumps from the main species of copal trees at Jenaro to distill samples of their essential oils. Italo told us he had found about forty trees with lumps in the “bosque norte” (a section of primary forest in the reserve) that were not included in the group we were already monitoring on a regular basis. The first tree had one fresh lump with little protrusions formed by the weevil larva pushing up though the soft resin to breathe. The second one was a rounded black lump. We put a numbered tag next to it to identify which tree it came from and a round plastic roofing nail on the other side to serve as a scale in the digital photo Angel took of it before it was harvested. He would later use the ImageJ program to measure the lump’s area for comparison to its weight. We could then use this relationship to estimate the weight growth of other lumps throughout the development of weevil larvae inside them.

It was always interesting to see the different shapes and sizes of resin lumps made by weevils, but so far we hadn’t seen any large ones that we had asked Italo to find to make our harvesting for distillation more efficient. Although he had spent three days scouting, he finally told us he had only found one tree with a large amount of resin on it. We clearly needed to refocus his scouting in another area to accomplish our mission.

Wasp collecting resin on copal tree at Jenaro Herrera. Photo by C. Plowden/CACE

Wasp collecting resin on copal tree at Jenaro Herrera. Photo by C. Plowden/CACE

We had one more option to collect a good amount of resin that day. We walked back and past the station to the 9 hectare arboretum with a well-gridded system of trails. Crossing a flooded bridge, I was glad that a patch sewed onto a two-inch tear in my right rubber boot by a shoe-repair place in Iquitos seemed to be keeping my sock and foot dry. One Protium altsonii tree we called 13F125 in this area had been super valuable to our research since 2006. At different points, it had up to 20 different marked resin lumps. We had collected adult weevils from traps on its trunk and orchid bees collecting resin from fresh lumps. Our observations of wasps collecting resin dripping down the trunk from natural cracks in the bark were the first on record.

Photographing and harvesting resin lump at Jenaro Herrera. Photos by C. Plowden/CACE

Photographing and harvesting resin lump at Jenaro Herrera. Photos by C. Plowden/CACE

Unfortunately the tree was now dying. It had few leaves, and its trunk had thick brown lines of termites and pronounced patches of shelf-fungus. While any weevils inside its remaining resin lumps might last a while longer, it seemed unlikely they would survive to maturity so I decided to harvest the resin lumps for our trial distillation of this important species. Angel carefully photographed every lump first, Italo pried it loose with his knife, and I examined the bottom surface to examine the pattern of bore holes made by the weevil larva during its multi-year development. When the tree was cleared of lumps and resin seeps, I bid it thanks and farewell wondering if the weevils, our nails, or some other ailment had caused its demise.

Campbell examining copal resin lump. Photo by Angel Raygada/CACE

Campbell examining copal resin lump. Photo by Angel Raygada/CACE

Rosewood seedlings and scions at Jenaro Herrera. Photos by C. Plowden/CACE

Rosewood seedlings and scions at Jenaro Herrera. Photos by C. Plowden/CACE

I wandered into the nursery back at the station, and was happy that its manager Leonardo was on hand to show me his progress creating a new generation of rosewood trees for our reforestation/essential oil project with Camino Verde at Brillo Nuevo. They only had a handful of small plants obtained some years ago from Tamshiyacu, but these had been enough to supply 300 scions (an inch long cutting of a branch stem with one intact leaf) that were now being nurtured in a planting bed. They were expecting a new supply from the same place that would provide the remaining 900 cuttings. Once the scions sprouted a good root, they would be transferred to an individual planting bag. If things proceeded as we hoped, they would be large enough by February, 2013 for Robin van Loon from Camino Verde to bring them to Brillo Nuevo and supervise their planting in up to four sunny plots.

Don Jose playing solitaire. Photo by C. Plowden/CACE

Don Jose playing solitaire. Photo by C. Plowden/CACE

Angel and I got to Susanah’s house for a late lunch. Her russet-colored dog Peluchin greeted us with a friendly bark; her elderly husband Don José with a smile. Now retired for twenty years, he spent most of his time playing solitaire at the table where Susanah served meals to small groups of researchers staying at the station.

Marissa Plowden carving a coconut at Jenaro Herrera in 2006. Photo by C. Plowden/CACE

Marissa Plowden carving a coconut at Jenaro Herrera in 2006. Photo by C. Plowden/CACE

That evening I gave a presentation about our copal and craft work to twenty students from the agricultural university at La Molina in Lima. Every summer a group of the country’s top forestry students come to Jenaro Herrera to study tree identification, mensuration, forest and wildlife ecology. It was fun to explain the technical aspects of my work to a curious audience and extra challenge to field their questions posed in rapid-Lima brand Spanish. Angel and I later joined the classes’ three instructors for a prolonged night-cap in the same house I had lived in for a full month during the summers of 2006 and 2007 with my daughter Marissa. I could easily see her sitting in one of the low-slung rocking chairs made with green plastic chords tightly strung onto a rounded iron frame.

Jenaro Herrera artisan Neri with huayruru earrings. Photo by C. Plowden/CACE

Jenaro Herrera artisan Neri with huayruru earrings. Photo by C. Plowden/CACE

On my way to the port the next day, I stopped by the house of Neri and Edith, two women who had been leaders of an artisan group with the Catholic charity Kolping. After Edith was expelled, primarily for being gay, she and Neri started selling handicrafts from their house under the name of Artesanias Huicungo – named after a tear-shaped palm seed that made an attractive hanging earring. I wanted to check on the status of an order for over a hundred diverse pairs of earrings I had placed with them during my last visit to Jenaro in March. Making crafts, however, wasn’t going to generate enough income to support them. They both had regular day jobs and were now raising chickens in a back room. Neri had made about ten pairs for me, though, and promised that she would have the others ready by the time Angel came back to town in early August.

Speed boat to Iquitos. Photos by C. Plowden/CACE

Speed boat to Iquitos. Photos by C. Plowden/CACE

I needed to take the “rapido” from Jenaro back to Iquitos on Saturday since the next ferry that left on Sunday wouldn’t get me back to the city until the day after that when I was due to leave for Chino on the Tahuayo River. So instead of spending a leisurely 12 hours in a lancha, I had a jarring two hours in a 16 passenger motorboat followed by a harrowing two hours in a van with a driver who seemed hell-bent on breaking the land-speed record from Nauta to Iquitos – half of it in driving rain. One redeeming aspect of the express trip was the chance to swap stories with Emilio, a botanist from Lima who helped teach the tree identification part of the course for the La Molina students.

New Yagua Crafts, a Monkey-Cat Alliance, and a Gecko in the Toilet

July 2, 2012

Map of native communities near the Ampiyacu-Apayacu Regional Conservation Area. Photo by C. Plowden/CACE

Map of native communities near the Ampiyacu-Apayacu Regional Conservation Area. Photo by C. Plowden/CACE

While the rain and soccer had delayed our departure from Puca Urquillo by an hour or so, we still had enough time to make a quick stop at the village of Santa Lucia de Pro – the Yagua village immediately upriver from Pebas. Our visit was inspired by reports that this village had some very accomplished artisans. When we climbed up the bank, an informal soccer game was in progress on the cement court on top. Since this was an unanticipated visit, we asked a spectator if the President or other “autoridade” (town officer) was around. The woman dispatched her daughter to fetch the village “secretariat communal” (collective secretary)Iderio Rios. We explained we were interested in meeting the artisans and getting a sense of the range of crafts they made with an eye toward working with them more in the future. Rios responded positively to our request, put out the word, and within ten minutes about ten women artisans had laid out a bag of their crafts on hand on the sidewalk in front of the school.

Wingo masks and chambira bags at Santa Lucia de Pro. Photos by C. Plowden/CACE

Wingo masks and chambira bags at Santa Lucia de Pro. Photos by C. Plowden/CACE

Many women apologized that they didn’t have many things in stock, but the impromptu display showed an impressive range of wingo masks and chambira bags with unique designs, llanchama bark “muñecos” (dolls), seed bracelets and necklaces.

Yagua artisan at Santa Lucia del Pro. Photo by C. Plowden/CACE

Yagua artisan at Santa Lucia del Pro. Photo by C. Plowden/CACE

The artisans said they had most of the dye plants they needed, but their purmas were devoid of chambira palms, so they generally bought cleaned fibers from Brillo Nuevo. Our visit confirmed that artisans here could become enthusiastic partners – both to give them another outlet for selling crafts and possibly to help them reestablish chambira in their own fields. Before doing anything, however, we would prepare a specific proposal and present it to their whole community for consideration.

Yully Rojas inspecting tapetes at San Jose de Piri. Photo by C. Plowden/CACE

Yully Rojas inspecting tapetes at San Jose de Piri. Photo by C. Plowden/CACE

We stashed our bags in the hotel right next to the port in Pebas and walked up to San José de Piri, the Yagua community located on the far side of the town. While Yully had started making regular visits there almost a year ago, our progress developing marketable crafts there had been very slow. While this village’ proximity to Pebas arguably gave it easy access to sell its crafts to tourists passing through town, its artisans had not yet tapped this potential market. We went straight to the home of Mariela Ribera who had become Yully’s main contact for a small cadre of women interested in working with us. Three other women arrived and showed us their most recent attempts to make “tapetes” (woven hotpads). The woven coiled chambira looked simple, but it was proving hard to make well. The four samples that women took out of their small plastic bags each had a good element – it had clean white chambira, vibrant color, or was flat. Unfortunately each also had at least one major defect that made it unsellable – it was dirty, had dull color, or was warped. Yully offered her suggestions on how to deal with each of these problems, but we were left with a rather discouraging state of affairs. An earlier attempt to make an attractive doll had not been fruitful, but many months had gone by without the artisans producing anything that we could buy.

Yagua native artisan Mariela with toy chambira hammock. Photo by C. Plowden/CACE

Yagua native artisan Mariela with toy chambira hammock. Photo by C. Plowden/CACE

Wandering back into Mariela’s living room, I saw a new kind of craft tacked onto her wall. Artisans throughout the region make and often sell beautiful chambira hammocks. Since these items are so bulky, I didn’t think that we could bring these to the U.S. and market them in a cost-effective way. Mariela, however, had made two hammocks that were only two feet long. Since we were going to try selling some native-made dolls, perhaps there could be a market for hammocks for these or other kinds of dolls. The artisans readily agreed to make somewhat smaller models with three combinations of colors. Clearly it would be easier to develop a product using skills they already have rather than hoping they could master difficult new ones without an experienced teacher.

Mama cat, monkey and kittens. Photo by Yully Rojas/CACE

Mama cat, monkey and kittens. Photo by Yully Rojas/CACE

While I discussed design details for this mini-hammock with Mariela, Yully spotted another example of cross-cultural companionship under her table. Mariela’s cat was nursing a litter of kittens with a saddle-backed tamarin monkey lying cozily on top of her.

View through screen window from Pebas hotel.  Photo by C. Plowden/CACE

View through screen window from Pebas hotel. Photo by C. Plowden/CACE

Campbell in bathroom mirror at Pebas.  Photo by C. Plowden/CACE

Campbell in bathroom mirror at Pebas. Photo by C. Plowden/CACE

Back at our hotel, I admired the view from my room and cleaned up for the first time in a few days by pouring buckets of cold water over my head from a barrel in the bathroom. I also got my first look in a mirror in over a week, but didn’t have a razor up to the task of shaving my itchy incipient beard.

Catfish in market & gecko in toilet in Pebas hotel. Photos by C. Plowden/CACE

Catfish in market & gecko in toilet in Pebas hotel. Photos by C. Plowden/CACE

Other glimpses of local wildlife around Pebas included a gecko in a disconnected toilet in the hotel’s storage area and catfish in the market that were so fresh they were still croaking.

Our trip back to Iquitos was slow but peaceful. There were no camarotes (cabins) available on the lancha (ferry), so Yully and I strung our hammocks side by side on the less crowded top deck. I had hoped to get some writing done on the way, but was reluctant to bring my computer out in the open and I couldn’t quite figure out anyway how to hold and type on my laptop while lying in a hammock. I was content to immerse myself in podcasts from National Public Radio that my wife had downloaded onto my MP3 player about six months before. Listening to Car Talk, This American Life, Science Friday and Freakonomics seemed a bit surreal cruising by miles of forests and towns where the topics discussed were irrelevant. Listening to Click and Clack humor and soothing intelligence of Diane Rehm and other NPR hosts, however, was a comforting and stimulating way to pass a day on the river.

My only live diversion on the 20 hour trip was a few conversations with a Haitian fellow I met brushing my teeth. I’m not certain about his story since we communicated with a mixture of poorly spoken or understood French, Spanish and English. What I pieced together is that he and two friends had left their impoverished country about four months ago in search of work. They had spent a few months in Ecuador, one month in Peru and had taken this boat downriver to try their luck in Brazil. They were turned back at the border, though, for lack of a visa. Their return to Peru, however, was not proceeding smoothly. He pointed to a Peruvian soldier in a hammock about fifteen feet away who would escort them to immigration authorities when they got to Iquitos. I gave him some of my bananas for breakfast and wished him well.